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Showing posts from November, 2018
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Image development... My chosen photograph to explore: 'A Rainy Day in New York' .  There is tremendous amount of movement in this snapshot and my colour print out of this photograph did not show this, the minute details were distorted so I have chosen to present this image in different ways electronically, the importance being that I can see, and you can see all of the detail in the one second of time captured in this photograph.  1. Time Running against the clock. The clock is my focus due to its immense size and stature. However the hot tones of the yellow taxi cabs demand visual focus and the head lights of cars burn through the grey haze of the city street.  2. America The flag draws my eye immediately,adding significance, a location without needing to be told. This important clue of location distracts me from the stature of the clock. Busy shoppers sheltered under umbrellas fill the street. A bicycle has fallen to the ground at the forefront, some...
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Reading an image... Look carefully at the image.   This is what I see in a 'pecking order' of visual importance.  A sleeping red, large dragon.  A green throne.  Gold coins, treasure.  Two child figures.  Armour - Swords, shields, daggers, axes, helmets.   A hot fire lantern.  Heat on the ceiling. A cold blue cave.  What the image is about. What is it saying?  Two children have entered a cave with a fire lantern. One child appears to be embracing the scene, one child appears nervous standing behind the other. Within the cave they have found a large sleeping, red dragon. The dragon is wrapped around a royal green throne. The throne is surrounded by treasure. It would appear the dragon is there to protect the throne, his tale rests upon it.  At the forefront of the scene is a pile of armour and weaponry.  Work out the narrative and identify the story.  Two children have gone out in pursu...
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Illustrating visual space... As asked, and working within a square format, I have printed images of a tree, a building (a church) and a child running. I piece the images together to create a scene:  In this image, the figure of the child is at the smallest I could print without losing the definition of the figure. The child is in the distance, running down a hill from the church towards the very largest of my tree prints. Working with a diagonal line in the distance gives the child a sense of speed.  This is actually my favourite as the diagonal line has been so effective in communicating the fun and speed of the child.  In this image, the tree and and church are horizontal and the child is in the forefront of the scene. The horizontal nature of this scene creates a sense of balance, a visually pleasing, and calm space. Adding the simple, curved angle line of the church path, draws the eye to the child, I;m pleased with how effective a simple line can be....